When I was on mu trip to Lisbon, walking at the evening with family
and friends through Alfama district, from one of the small
restaurants I heard for the first time Fado, unique folk music
straight from this beautiful country. Then it hit me, I should go and
search for some fado musicians and write about it. On my way back I
made my choice: Rão Kyao and his Fado Bailando became my next album
to listen.
There is not so much (at least not in English) information about this
artist. What I could find about about him this he travelled far and
tried to connect Portuguese folk music with eastern sound of Asia
(like India). He also had a lot of influences from Jazz music.
Usually I’m going through most songs individually, this record I
will treat differently. It has this unchained soul this swiftly goes
from one track to another. And in this way I should treat this piece
from Rão Kyao, as a seamless flowing music. What caught me at the
start is a saxophone. Rão quickly mastered this instrument and
showing his incredible skills from the first second of Fado Bailando.
You could be surprise how smoothly this instrument goes with delicate
and charming classic guitars that creates a beautiful background for
the songs. You can hear all the jazz influences I mentioned earlier,
but enormous talent of today’s post hero let saxophone become a one
with the rest. I never thought mix of these two styles: fado and jazz
can go so well together. But it just shows how many surprises I have
on my way. Saxophone is a beautiful voice of this album. After a
couple of times you understand that no voice on earth would give so
many emotions and notes as done this instrument on this album. It
speaks to me undoubtedly, gives me all the thrills and let me
interpret meaning of every tune on my own terms. It leads me but
doesn’t keep me in steel frames. Tempo of whole album is slow but I
feel it is perfect for the emotions this Rão wants to show. Fado is
often melancholic, lets the audience drift in they thoughts and
dreams and Fado Bailando goes with this rule. It works fantastic in
moments when you want to relax and just swim into the evening with a
smile and Sangria in your glass. There is no rhythmic section but you
can understand why. All the spectrum is filled with guitars,
(occasionally) keys and saxophone, there is no need for another
instrument. All these beautiful songs are told without pulsing
rhythm, this kind of music is just great on it’s own small group of
sounds.
Conclusion: Short (35 minutes) but memorable Fado Bailado gave me a
great introduction to Fado music. If you have never heard it, it’s
time to discover national music of Portugal. Rão Kyao on top of this
gives you unique point of view on this music style and also introduce
you to a whole new world of genre fusion. Time to get away from that
all to well known popular music and discover some unique tunes as
Fado Bailando is a great representation of it!
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