Skip to main content

Vangelis - Spiral (1977)


Hi folks! After a wee break I’m coming back with a new post. Today I want to present you someone who is very famous and there is no way you’ve never heard his work (like, really, no chance for that at all). But isn’t it something that shouldn’t be in Positive Reviews? Well, actually I think it should. Maybe Vangelis is a well-known figure in music world but his earlier stuff, is not. So I would like to talk to you about one of his first albums, and to be exact, third one: Spiral.
Vangelis is a Greek composer who gave a wonderful music of Blade Runner (1994) and Chariots of Fire (1981) just to name two. But his discography is a massive collection and I was amazed when I dug deeper and saw in how many projects he contributed, how many albums and films scores he wrote. So when I started listening to Spiral I was very intrigued.
This record contains only 5 tracks but they are very long pieces that take 39 minutes of music all together. I felt like I need to prepare my senses for a long and fascinating journey. This album is almost completely instrumental apart form one song (ballad) when we can hear Vangelis voice, that have was processed as a phrase. This album is also first in his discography that he used Yamaha CS-80 (for everyone who digging that kind of geeky stuff, like me, it was great to find out about it). Going into details with all the songs it wouldn't give a justice to the music he presented on his third LP. Instead I would like to focus on emotions I gathered during almost 40 minutes of music. Titled song surprised me as I didn’t expect to hear that unusual start (synths going back and forth), I was getting that feeling on uncertainty. Later those sounds turned into more like choir style bells and I got myself confused as Vangelis’s work stripped me from all the ideas how to mix and match songs elements. So I decided to just sit back, relax and take whatever was coming for me. At some point song turned into a fantastic, almost like some kind of anthem, moment that could serve as the entrance to some really interesting sci-fi movie. Going forward, the same pattern (by that I mean completely unexpected sounds) change my mood drastically from almost full happiness to a bit sadder emotions. Through almost all songs I could hear a great arpeggios filling every corner of my monitors. So delicate but still keeping themselves memorable. It is worth mentioning that one of the songs on this album “To the Unknown Man”, received MIDEN award for best instrumental song (I strongly suggest to check it out even if you don’t have time for the full album). What is great about this album is even if you randomly play songs (in streaming services) they’re not creating a thought process mess.
Conclusion: Vangelis is probably one of the most unique music minds that Earth’s ever had. The way he sees music, its concept and almost in organic way build it. It was great to find this album and hear his root, his early ideas for electronic music. I, as a wannabe musician, can learn a lot from his work and I strongly suggest this album to everyone who would like to make his own music. Even if it’s not your style, your idea for your career, Vangelis brings to the table so many great concepts and a strong open mind philosophy that is hard to not be fascinated by. Love this album and will get back to it in a near future for sure!


Comments

Popular posts from this blog

Sadao Watanabe – Morning Island (1979)

Hi guys! Usually when I do a research for my blog I decide to rely on blind luck. This time with some help of a friend from work I turned to Japan to discover some jazz music. Then album Morning Island by Sadao Watanabe emerged. After quick check on the Internet I realised that I’m about to hear a legendary musician that was playing on saxophone before even my parents were born! So I quickly dived into this album and learnt that there is a lot of beautiful music ahead of me. Sadao Watanbe is a Japanese multi instrumentalist who divided his time between his homeland and USA (he was a student in Boston Barkley's collage). Morning Island is a 42th (!) release by this great musician (he has more than 70 compilations and albums done!). So at the start I had a title song. And it couldn't be more beautiful! Sound is soothing, mellow with a flute that provides a lovely melody, if you are not in the mood after you woke up, try this song! I bet it will ease your nerves and help y...

Rão Kyao - Fado Bailado (1983)

When I was on mu trip to Lisbon, walking at the evening with family and friends through Alfama district, from one of the small restaurants I heard for the first time Fado, unique folk music straight from this beautiful country. Then it hit me, I should go and search for some fado musicians and write about it. On my way back I made my choice: Rão Kyao and his Fado Bailando became my next album to listen. There is not so much (at least not in English) information about this artist. What I could find about about him this he travelled far and tried to connect Portuguese folk music with eastern sound of Asia (like India). He also had a lot of influences from Jazz music. Usually I’m going through most songs individually, this record I will treat differently. It has this unchained soul this swiftly goes from one track to another. And in this way I should treat this piece from Rão Kyao, as a seamless flowing music. What caught me at the start is a saxophone. Rão quickly mastered this ins...